Dash 7

the wind blew me back
via Chicago
in the middle of the night
-Wilco

I remember well the last time I came home via Chicago. But I cannot remember where exactly I was coming home from. Perhaps Mexico, which would go a long way towards explaining why I found myself smoking a Delicado in a t-shirt and cargo shorts just outside of Terminal B, shivering so violently that the ash scattered everywhere and blended neatly into the night's snowy deluge.

An older gent joined me outside for a smoke. He asked me if I was cold. Yes, I said, I am. Then he launched into his life story. I couldn't follow most of it - I am not that well-versed in racial slurs - but his story ended happily, I think. He was waiting for a connecting flight to JFK, then he was off to The Philippines to meet his mail-order bride for the first time. Aren't mail-order brides supposed to come in the mail, I asked. I mean, isn't that the whole point of mail-order brides?

"Whelp," he said, "I just thought I'd save her the trouble. The exchange rate ain't so kind over there. Kinda want to give the ol' girl a test drive anyway."

The twelve-hour overnight layover at O'Hare looked much less gruesome on the itinerary. I slept on the floor of Terminal B that night with my backpack for a pillow. They had benches in Terminal B, but they were short ones, and artsy ones. So I'd wake up with my legs dangling out into space and a rustic sliver of sharpened tin jabbing me in the kidney. The floor, alas, was my best bet, and it wasn't a very good bet at all. The soothing whir of the floor buffers did little to alleviate the train wreck going on in my spinal column. I would wake up in the middle of the night and gaze up at the multi-billion dollar ceiling of Terminal B, and I'd think to myself, this might just be the nicest house I ever fall asleep in.

Dawn arrived and I was the first person in line. We boarded the learjet, or the turboprop, or the Dash 7 or whatever it was. I wasn't afraid of flying at the time, so I just kind of sat there in my assigned window seat and eavesdropped. The guy seated behind me started jawing to his neighbor about a party he went to in Phoenix.

"Y'ever heard of Usher?" he asked. Silence. "No? No? Where you been, man? Living under a rock? Heh heh."

This was in 2009, when I last came home via Chicago. I can no longer remember the last time Usher was big.

The guy seated behind me took out his laptop and within seconds, all of us seated in coach were listening to Usher's "Yeah" on laptop speakers that were the hip-hop equivalent of a black hole.

"This," said the guy, "is Usher."

I turned around to make sure of what I already knew: that the guy seated behind me was not young or black, that he was in fact a salt-of-the-earth Nebraskan in his early forties, wearing a brutally folded and sweatstained Poulan Weed Eater baseball cap. A bevy of Nebraskans had gathered in the aisle to watch the music video, and their bovine faces were blank with the sort of silent trepidation known only to people who move to Nebraska later in life. About two minutes into the video, the stewardess came by to tell the guy seated behind me to turn off his laptop. The guy grudgingly complied and the Nebraskans, relieved, returned to their seats.

The guy seated behind me, however, was not done. He had a story to tell, a real humdinger that he would lavish upon his neighbor whether his neighbor liked it or not.

"We went to a party with this guy," said the guy seated behind me. "Usher, I mean. The party was at Usher's house."

The House of Usher, I thought, thoroughly amused with myself and my English degree.

"Well, I mean, Usher has like, a million houses, I'm sure," said the guy. "But this was one of them."
"Oh. Yeah?" grunted his neighbor.
"Yeah. Me and my buddies were on the guest list and everything. Unfortunately, the line was too long. You shoulda seen it, man. I mean, a line out the gosh-danged door. So we never got in," said the guy. "But we were still partyin' in the street. I tell you what: that Usher knows how to throw a party."

We lifted off. Nobody spoke for a while, least of all the businessman seated next to the guy seated behind me. I imagine he popped a fistful of Unisoms and strapped on his sleep visor ASAP. But the guy seated behind me was not yet sated conversationally. So he reached across the aisle, so to speak.

Two Nebraskans: A Dialogue. Their conversation kicked off, predictably, with high school football. I listened, was familiar with all of the shitkicker towns and most of the mascots. I even knew some of the players. Or their older brothers, perhaps. Then the conversation shifted, somewhat less predictably, to Native American heritage.

"Yeap. I got some redman blood in me. I'm about 1/8th Winnebago, 1/16th Pawnee. Yourself?"
"Welp. About 1/16th Nemaha, 1/32nd Omaha, 1/128th Yamaha ... "

I listened but kept silent. Considering my own negligible Irish ancestry, I figured I was probably the least Nebraskan Nebraskan on board.

The stewardess came by and tossed me a bag of pretzels. I've never liked pretzels as much as everyone else on earth seems to, so I gave them to my neighbor. My neighbor was a college girl, blonde and homely in the rural Nebraskan way, and we talked for a bit in the rural Nebraskan way. We talked about high school football. Out the window, miles below, the weird agricultural circuitry of the American Midwest scrolled lazily past.

The stewardess came back around to pick up our empty bags of pretzels. I thought about asking her for a Bud Light, but everyone on board was palpably Mormon or worse. Then I asked her for one anyway. But we were already starting our descent. The flight home from Chicago never takes very long. It's a line drive. A puddle jumper, if there were any puddles to jump. But it's all refurbished desert down below. The front lawn of America. Irrigation circles, buzzcut farmland, straightedge roads to nowhere - long and gray and deserted except for a tiny twinkle of metal, a Ford F-150 pickup, perhaps, zipping along with a frantic slowness to the intersection of nowhere and nowhere in particular.

The seatbelt lights came on. Always a sepulchral moment for some reason, the descent. I buckled my safety belt and wrapped up my conversation with the girl next to me. Even the guy seated behind me fell silent. What else was there to talk about? We'd be landing soon. Though everyone on the plane was probably related somehow, we'd never see each other again. We were descending. We'd hover past the used car lots of Council Bluffs, hurdle the muddy Missouri, and the tires would kiss the runway. Home at last. We'd taxi to the only terminal Omaha has to its name. Is there even a departures wing? I wonder sometimes. And then the seatbelt light would blink to black. And summarily, as a herd, we would remove our masks of polite airplane formality and apply our masks of polite Nebraskan formality. And that's just what we did.

But as I reached up for the overhead bin, as a panicked afterthought, the girl next to me asked for my phone number.
"I don't have one," I said. It took me a moment to realize that was true.

Expatriate Act is Dead (Long Live Expatriate Act)

"Language is a cracked kettle on which we beat out tunes for bears to dance to, while all the time we long to move the stars to pity."
- Gustave Flaubert

To the four readers I have left (hi mom), Expatriate Act is not dead. But it will be soon enough. If you listen closely, you can hear the death knells ringing down from the Sichuanese hills. They - the knells, I mean - sound something like 600 million Chinese men launching double barrel snot rockets in unison. And what that sounds like, I leave you to imagine. Rest assured, I can imagine it well enough.

Sometime in April, this blog will turn five years old. And three months after that, it will die. Of that I am certain. Because as of July, I will be traveling no longer. As of July, I will be an expatriate no more. As of July, consider my ass retired.

In July, I will return to my native Omaha. And I intend to stay there for a while. I also intend to keep writing. So I could, of course, prolong the inevitable. I could rechristen this blog "Repatriated Act" or "Ex-Expatriate Act." I could write about the outside world from my foreign correspondent's desk in Omaha. Or I could write about Omaha; no doubt my native Nebraska will be as foreign to me as China once was. But I started this blog as a first-time traveler, and I intend to close it out as a retired traveler. Frankly, I am exhausted. I sense that my work here is done. And anyway, five years seems like a good number to go out on. So at this juncture, I will graciously bow out and pass on the torch. Let the laowais write for the laowais, I figure.

I started this blog in April of 2006. I turn 28 this Friday, but I was 23 back then. Imagine that. Time gets away from us.

At 23, I had successfully graduated from college with a degree in creative writing. For the better part of a year, I worked as a copywriter until I realized what I had known all along: that the encubicled life was not for me. So that fateful April, I set off for Poland to earn a teaching certificate of sorts. I started a blog. I called it Expatriate Act. I got the teaching certificate, but all my luggage was stolen in Berlin. Broke and half-naked, I returned to the States to buy some new clothes from the Salvation Army. Shortly thereafter, I landed a fairly lucrative gig teaching children in South Korea. I lived in South Korea for one year. Then I vacationed for a month on the east coast of China, where unmentionable things happened. Then I spent two weeks in The Netherlands, where even less mentionable things happened. I returned to the States and squandered my life savings on beer and women and Taco Bell. A good couple months they were. Then I taught English for six months in a coal mining town in Poland. The women were many, but I couldn't bring myself to stay there, so I tried to put together a life in Berlin. I failed. I returned to the States. I got a teaching job in Mexico. I lived there for six happy months while the country tumbled into civil war. Somewhere along the way, I was accepted into the Peace Corps fold. In the summer of 2009, the Peace Corps shipped me off to China. I have spent the past two years in Nanchong, Sichuan Province, People's Republic of China.

This is the trajectory of the past five years of my life. At the outset, when I first left America, I couldn't have anticipated, or guessed, or dreamed that I would be gone for so long. And now that my adventure is drawing to a close, I'm surprised at how quickly the time has passed.

Vague intentions begat vague writing. I didn't know what I was looking for when I first left America, so I wasn't sure what to write about when I started this blog, the blog I dubbed Expatriate Act. After five years of writing, I am still not sure what I am writing about. I cannot say that I have gotten any closer to figuring out who I am. I cannot say that I understand China, or Mexico, or Poland, or Korea any better than I did before I lived in those places. Writing, and the process of writing, eludes me even more than it did when I first started writing.

I cannot say that I have ever consciously worked on Expatriate Act. If anything, Expatriate Act has worked on me. If anything, the presence of Expatriate Act has dogged me and pestered me, has compelled me to write more than I otherwise would have. For better and for worse, Expatriate Act has injected me with a neurotic compulsion to write, even when there is positively nothing worth writing about.

That said, the most wonderful times of my life - namely, the six months I spent in Mexico - are almost totally absent from this blog. I wrote nothing about Mexico. I was too busy being happy. Conversely, the most tedious, most miserable times of my life - the time I have spent in Asia - have been written about ad nauseam. This isn't terribly mysterious. Or at least, it shouldn't be. The natural habitat of the writer is misery. In the absence of misery, what else is there to write about? Perhaps that is why I couldn't stay in Mexico. I had nothing to write about in Mexico. I was too happy. But in the end, I am not just a writer. I am also a person. And like most people, I tend to avoid misery when I can. And that is why I cannot stay in China.

I don't know why I started writing Expatriate Act. And I'm not sure why I continued writing it. I never attracted an audience in the beginning, and I only just barely have an audience now, five years later. A cult following, you might say. But at no point have I written for the sake of attracting an audience. I am too selfish and not quite conniving enough for that. I write to get things off my chest. And more than that, I write to amuse the people I hold dear. As I write, I am forever wondering and worrying - would so-and-so find this funny? Getting things off my chest is a necessity, but it only affords relief. It brings me no pleasure. What affords me the most pleasure are the emails, comments, compliments, criticisms, and assorted contributions from the people who read what I write. So I thank you all for that. Very little in life makes me happier than the knowledge that other people are made happier by what I write. I mean that. The fact that other people read what I write flatters me to no end, and is pretty much the only thing that inspires me to keep writing. This all sounds very cheesy and Oscarspeechworthy, but I wouldn't have written for five years if so many people hadn't encouraged me along the way. I thank you again.

I have learned a lot about myself through writing, and through writing, I have learned much about the cultures that have allowed me to cavort - drunk and disheveled all the while - in their midst. But above all else, it has been a real pleasure to write: the process itself has been indescribably rewarding. I have always been a writer, but I have never enjoyed writing so much. Expatriate Act was an experiment, and I consider the experiment a marvelous failure. In five years of writing, I never once put things exactly the way I wanted to. But that goes with the territory. Dancing bears and cracked kettles and what not. So - fuck it, I say. If my hypercaffeinated, hyperinebriated crotch-scratching labors have inspired a single bout of unfalsifiable laughter, then my work here is done.

But my work here isn't done. Not quite yet. I still have four months left to go. I still have many classes left to teach, countless hecklers left to ignore, and yes, many things left to write about. Expatriate Act is not yet dead. I'm just letting you know that it will be soon enough. This is not to say that Expatriate Act will disappear completely. I imagine I will leave it up for posterity, in all its unabridged, unedited glory. As a time capsule. As a tombstone. As a cautionary note to the up and coming generations of college graduates. Listen: here are all the mistakes you can make during your mid to late twenties. And listen: here is why they are worth repeating.

The Left Side Door is Always Locked

I think I will take a short break from my Kunming travelogue, if you don't mind. I'm stuck, you see. The words are already written down in my pretentious little Moleskine® notebook. There they are, perfectly visible, scribbled down in barely decipherable black ink. All I have to do is type the words. But they don't feel good on my fingertips, however many times I type and retype them. Lost in transcription, I guess.

To me, the hardest things to write about are the things that happened in the not-so-distant past. It's like retelling the joke you just told. The joke everyone laughed at. But somebody missed the joke. So you have to repeat the joke for this one inattentive dude, even as you ruin it for everyone else.

When you find yourself caught up in a story, you run that story through your mind so many times that it becomes too big to fail. Then, lo and behold, when you finally sit down to write the story, it fails. And you can't bail it out, however late into the night you filibuster, however many Starbucks stimulus packages you sneak past the House. The story fails. It fails because it's too big to fail, because it was never supposed to fail, because you never believed it could fail. It fails because it is a good story but you're not yet good enough to write it. It fails because you're too far away from the story to remember what it felt like when it happened, and because you're still too near to the story to comprehend what the hell it means.

I find it much easier to write about things that happened in the not-so-distant present. Like what happened just now. I can write about that. So that is what I will try to do. Something happened this evening, just a couple hours ago, though I'm not quite sure anything happened at all. Well, obviously, something happened. Something is always happening. But I'm not sure whether the events are related to one other, or whether I am stringing them together after the fact. Whatever. I'm writing this because I'm verbally constipated for the moment. I'm writing this, mostly, to see what happens when I write it.

It was round about midnight and I was on the prowl for beer, a couple bottles to unblock the aforementioned writer's block. The usual shops - the shops whose shopkeepers know what kind of beer I want - were all closed, shutters down. So I resorted to a back-alley shish-kebab place. I try to maintain a steady rapport with all the shopkeepers in my part of town, especially with this back-alley shish-kebab man who is ethnically Tibetan and therefore almost as foreign as I am. I tried to score a quick trio of takeout beers but the Tibetan invited me to sit. So I sat. I knew I would be there a while. A couple of college kids came dweebing into the restaurant and sat across from me. They didn't bother me. I sensed that they were not the usual Chinese undergraduate riffraff, so I offered them cigarettes. We got to talking.

They were not the usual Chinese undergraduate riffraff. They spoke no English, but they understood my Chinese - which is to say they possessed an uncanny knack for hand gestures and sound effects. Over the course of an hour, I successfully explained the existential impact of the Obama presidency, the ever-widening income gap in the Western world, the ominous rise of the Tea Party, the attempted assassination of Gabrielle Giffords and the many reasons why it scared the shit out of me. The college kids, in turn, offered me some unusually candid opinions on Chinese politics. They, in turn, offered me some unusually candid Chinese cigarettes. They recommended some Chinese proxy servers, the better to access my own blog with. These kids were not the usual Chinese undergraduate riffraff. We feasted upon spiced pig brain - the first time I have ever eaten brain, believe it or not, in all my time in China. The pig brain was good, and I feel slightly smarter for having eaten it. When it was time to leave, I tried to pay the tab, but the college kids swatted my hand away. I tried to swat their hands away, but they swatted my swatting hand away. They paid the tab.

We parted ways. I was running low on cigarettes, so I hailed a cab. The cabbie was an old timer with a wife and a son, and he was awfully happy to talk about his son, a recent graduate of Sichuan Normal University. The cabbie stopped along the way to pick up a couple college kids waiting on the side of the road. There were two of them and one of me. I scooched over to the left back seat because the kids would have to get in from the right side. I knew this because in China, or at least in Nanchong, the left side door of the cab is always locked. I suppose the cabbies keep the left side door locked to prevent renegade drunks from bailing on the fare. Or perhaps if the cabbies didn't keep the left side door locked, Chinese Fire Drills would rage in the streets every time they stopped the cab. Truth be told, I don't know why Chinese cabbies lock the left side door. But the left side door is always locked. This is a rule and I have adjusted to it, as I have adjusted to so many other rules in China, as I have adjusted to so many other rules in Nanchong, often without knowledge, always without quite understanding.

The college kids eavesdropped on my sweet Chinese nothings and complimented my accent. The cabbie agreed that it was good. I contested that it was shit. Everyone laughed. I offered the college kids cigarettes and they thanked me. We smoked for a bit. The cabbie dropped the college kids off at the train station, then waited while I ran across the street to buy cigarettes. The cigarette vendor was all giggles and smiles to see me. She complimented my Chinese. I complimented her Chinese. She giggled and smiled.

On the ride home, the cabbie ran out of things to say. So I thought back on the dreams I'd had last night. It was a rough night's sleep as I remembered it. I had dreamt that I was back in Omaha, smoking a cigarette outside The Brothers on 38th and Farnam. My favorite bar. A cold and dark night. Breathing fog. Black ice everywhere. I smoked. I joggled my leg to the faintly audible bass line of the Roxy Music song I'd just put on the jukebox. I shoegazed. I gazed back up. A derelict was shambling my way. He pulled a gun. I threw up my hands. He shot me in the gut. I woke up in a cold sweat, as one does. Holding my gut. I was stunned, but I wasn't altogether surprised. This is one of many possibilities in America.

In China, among many other impossibilities, being shot down in the street is not a possibility. Never in Nanchong could I be held up at gunpoint. No, in Nanchong, one of China's most violent cities, I can troll the shady avenues in the shady hours to my heart's content and I will never be assaulted - or if I am, as I have been a couple times, it will not be at gunpoint, but at the feeble meathooks of a thoroughly drunk Chinese salaryman. For however much I loathe the place, I have nothing to be afraid of in Nanchong. And after months and months of homesick idolatry, that dream reminded me that in America - even in mild-mannered Omaha - I have a great deal to be afraid of, indeed. I can almost understand why so many creepy Americans linger around Asia for decades, extending their visas indefinitely. The Asian existence is an antlike existence, but if nothing else, it is a safe existence.

And there is the hospitality to consider. In America, a night like tonight would never have happened. Consider this: I walk into The Brothers for some beers-to-go. I'm wearing my pajamas, basically. Some college kids treat me to dinner and drinks. They pay the tab. They bid me farewell. They will never see me again. They ask for nothing in return. Impossible in America. A nightly occurrence in Nanchong. Granted, it's because I'm a foreigner. But that kind of hospitality doesn't exist in America. It's not that I seek out Chinese meal tickets. The Catholic guilt, in fact, is almost too much for me to bear. But it's such pleasant companionship. No pretensions. Just the amusingly futile attempt to understand one another over beer and spiced pig noggin. I know that once I leave Nanchong, these sorts of things will never happen to me, never again. I will go to hipster bars with my very best hipster friends, and each of us will pay our share. We will divvy up in the Dutch manner. At the night's end, a handshake, maybe a man-hug, and we drive home separately. In Nanchong, amidst all the xenophobia and cross-cultural weirdness, any sane interaction is a miracle. So those interactions verge on the divine, when they happen. Acts of generosity leave you overfed, half-drunk and breathless. But in America, I will find naught but good conversation, mutual respect and the occasional gun-wielding raving derelict. At this point, I'm not willing to say that either set of circumstances is better than the other. Instinctively, I prefer the American way. I miss my home. But at no point prior to tonight did I think that I would miss Nanchong. At no point prior to tonight did I even entertain the thought that I would miss Nanchong. At no point prior to tonight did I even dream of thinking that I would ever entertain the thought that I would miss Nanchong. But I suppose, pending tonight's dreams, that for the moment, very tentatively, I am willing to risk saying that I might yet dream to think that I will one day entertain the thought that I will one day miss Nanchong, Sichuan Province, People's Republic of China.

1/17/2011: Loomings, et cetera

Call me Ishmael. Some years ago - never mind how long precisely - having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world. It is a way I have of driving off the spleen, and regulating the circulation. Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people's hats off - then, I account it high time to get to sea as soon as I can. This is my substitute for pistol and ball. With a philosophical flourish Cato throws himself upon his sword; I quietly take to the ship. There is nothing surprising in this. If they but knew it, almost all men in their degree, some time or other, cherish very nearly the same feelings towards the ocean with me.

- Herman Melville, Moby-Dick


hypo
noun, Archaic
hypochondria.

- Random House Dictionary

Don't call me Ishmael. Call me Panda. I read the better part of Moby-Dick in the bathtub of my childhood. Splashing around with a vinyl fleet of rubber duckies, making submarine noises, Johnson & Johnson No More Tears Shampoo, the whole deal. I was 24 years old at the time, and I was living at home. I had just returned to Nebraska after a year in South Korea. Between countries. I had little or no money in my manpurse and nothing particular to interest me on shore. In those tedious days of born-again infancy, I split my time between the bathtub and the coffee shop and the piss-tinged reading rooms of the Omaha Public Library. I read Moby-Dick for a living. I loved the book and loved it deeply. It had me at Ishmael. Eventually, I got myself a job. I was a scrivener, basically. But the job wasn't enough, and neither was hunting the White Whale. Wanderlust, restless legs, et cetera. I had to leave. But how?

Spoiler alert: Ahab and me, we didn't get the whale in the end. Sigh. The one that got away. After two full months in the tub with Melville, Moby-Dick was a hard book to put back on the shelf. I didn't want to stop reading it. As far as books go, it was a messy breakup. Herman started dating that pretentious asshat bartender at The Anchor Inn. In retaliation, I kept all of Melville's favorite sea shanty records. But several years down the road, I find myself returning again and again to that first chapter of his, the unimpeachable LOOMINGS - which just has to be the most bad-ass chapter title of all time.

Call me Ishmael, but that first paragraph of LOOMINGS rings truer to me than anything I have ever read. Especially when I read it for the first time, nestled there in my parents' upstairs bathtub. Grim about the mouth, indeed. A damp, drizzly November in my soul. An icy, windblasted January in Nebraska. I remember that winter well, however much I want to unremember it. The rocksalted roads led nowhere. The street lights were all flashing red. My gym membership had expired. So, too, had my library card. All relations with the fairer sex had come to naught. The cubicle work was sharpening my soul to a fine, shiv-like point. Rest assured I would have started knocking off the backwards "DEEZ NUTS" hats that were so en vogue amongst the Omaha frat boy community in those days, if I had stayed in Omaha any longer than I did. But I willed myself out of the country. I did some intercontinental ballistic job searching and found myself a teaching gig in Kielce, Poland. And in February, I left Omaha for a place that was even colder, even more miserable than Omaha. What can I say? My hypos got the upper hand of me.

Nanchong, Sichuan Province, People's Republic of China. Three years later. I am 27, somehow. The winter semester shuddered to a close sometime last week. The campus has been evacuated. The students are gone. I was relieved at first. As a bearded laowai, I am heckled, harassed, hectored and huckstered whenever I leave my apartment, mostly by students. So any set of circumstances that conspires to reduce my daily quota of degradation is a godsend. But with the departure of the students, the shops have closed down. The oldsters have gone home. And the outside world has become a very cold, very damp, very empty place, indeed.

The only open restaurant within walking distance of my apartment is a dingy little dumpling shop that is eternally sold out of dumplings. But nobody eats there. So my guess is that they don't bother making dumplings in the first place. This evening, out of desperation, I walked a half-mile to the Dumpling Restaurant of Woe and supped on a tiny plate of stale radishes.

"These aren't very good," the boss said as he slid them across the table. "Eat slowly."

He was right. They weren't very good. I ate slowly and left quickly.

There is one convenience store still standing. I go there for toilet paper, soap, shampoo, beer, smokes, snacks, water. These days, I go there for conversation. The boss always asks me if I'm going back to my hometown for Spring Festival.

"Probably not," I tell her. "Too expensive."
"Where will you go, then?"
"I dunno," I say. "Probably nowhere."

And so far, I have gone absolutely nowhere. I spent the first two weeks of the new year, the Year of the Rabbit, in Nanchong: reading, writing, taking long walks. Squatting in my apartment like a hen, with a space heater tilted upward towards my netherregions. I actually started reading The Bible, just because I had never read it before and figured that I ought to read it before I died. But somewhere around the end of Exodus, I began to wonder what the fuck I was doing with my time. Why am I here, I wondered - not in the broader existential sense, but like, why am I here in Nanchong when I don't have to be? I'll be stranded in China for seven more months, and then I will leave, almost certainly never to return. This is my last vacation in China. Let my people go, I said. The cruel Sichuanese winter had sunk in. Fog upon smog upon fog. A deep grayness. A damp, drizzly November in my soul. LOOMINGS, et cetera. Let my people go, et cetera.

I put down The Good Book. It was Sunday night and it was late. Let my people sleep, I said. I polished off my nightcap. I zipped my coat up tight, pulled the hood over my head, and I curled up into bed under two layers of sweater and two layers of blanket. A human burrito. I drifted off to sleep and I dreamt that I was in Yunnan Province. I was in Kunming, at a youth hostel. And I was sitting outside in the sun, across a table from a gorgeous raven-haired girl with black wire-framed glasses. We didn't talk because we didn't need to. We were in love. And we both knew what that meant. She was wearing a frilled white blouse and a purple skirt. I was probably wearing the same clothes I've worn for the past month. I forget. She didn't say a word and neither did I, but we knew. It was not an erotic dream, not at all. I never got past first base in the dream. Heck, I never left the on-deck circle. But the dream was more erotic than anything I have ever experienced. Nothing happened. We just sat there at the table, reading our respective books and understanding each other until I woke up. Groaning and babbling sweet nothings to myself, I tried to get back into the dream, but it didn't happen. In my experience, you can never get back into the dream. You just get shipped off to somewhere you'd rather not be. I fell asleep again and I dreamt I was walking along the edge of the Grand Canyon, wearing a backpack full of neutron star material. They say a spoonful weighs a ton. I kept falling over. Getting back up and falling over. Getting back up. Falling over. Eventually, I gave up walking and let myself tumble over the edge. I fell and I fell.

I woke up gasping for breath. After a while, I realized that I was very hungry. So I caught a cab to the McDonald's downtown and there, a very drunk Nanchonger grabbed me by the neck and threw me out into the street. Threw me right out into damp, drizzly Nanchong. A damp, drizzly November in my soul. Loomings. I decided right then that I needed to leave town. Let my people go, I said.

So, here is what will happen. Tomorrow, I will wake up around noon and throw my laundry in the washing machine. Then, wearing the same clothes I have worn for the past month, I will march right down to the front office of the China West Normal University Foreign Language Department. I will ask my boss for my passport, a vital document that I haven't seen in eight months. He will tell his underling to go find it, and his underling will tell his underling to go find it, and his underling will rummage around his employer's office for the better part of an hour, before discovering my passport in his coat pocket. He will open up my passport and laugh at my photo. I will thank him. Then I will return to my apartment, collect my laundry, wave it around a lot by way of drying it, and stuff it all in a plastic bag. Then I will catch a taxi to the train station. I will purchase a one-way ticket to Kunming, Yunnan Province. The train bureaucrat will ask to see my passport. I will show it to her. She will giggle at the photograph. I will thank her. I will while away the hours until departure in some bar. Then I will wait in line for a good long while. Then I will board a greasy chain-linked vessel bound for the south. I will lay me down in a cot some fifteen feet off the ground. I will read Hermann Hesse until I fall asleep. The next morning, I will wake up to the sun coming in through the window. Miraculously, I will wake up in a warm part of the world. I will step out onto the platform in Kunming and nobody will care none too much that I am a foreigner. And I will catch a cab and check into a youth hostel and squeeze the juice out of two weeks - lying out in the sun, eating greasy sandwiches, drinking coffee by day, imbibing beer by night, playing ping-pong with any and all comers.

Of course, I did the same exact thing last year. I went to Kunming last year. A year ago to the day. So I am retracing my steps. I am repeating myself. By escaping to Kunming, I am leaving one rut for another. But Nanchong dogs me. And this dream of mine haunts me. Being choke-slammed out into the damp, drizzly streets of Nanchong. And this raven-haired girl with the wire-frame glasses: who is she? Does she exist? My dreaming self has posed a question that my waking self must answer. I don't believe in dreams, but one never knows, does one?

I have never been a very good traveler. I never seem to make it to the places you're supposed to go see. I am an American who has never seen the Grand Canyon. Can't even imagine it. In all my time in Poland, I never made it to Auschwitz. I never did Day of the Dead in Pátzcuaro, though I was only a couple hours away from it. I've never seen the Great Wall or the Terracotta Warriors, and I probably never will. And on some level, I don't care. I don't really care to see those things. I don't chase places. I chase my own tail. I chase whims and vapors. Smoke and mirrors. I hunt the white whale. The raven-haired girl in the wire-framed glasses. The end is there in the beginning, and it's there for all to see. Because I will never catch the white whale, you see. Nobody ever does. But I'd like to think that I'll land a pretty damned hefty bass fish somewhere along the way. And it won't be the white whale. But I'll take it over a can of sardines. You know?

Harmony Corps

Dear Family and Friends,

It has been a long time since I have written, and for that I am sorry. But between work, my host family (the Gustafsons), and life in the exotic frontier town of Omaha, my rice bowl is pretty full these days.

The Gustafsons are nice enough people and I really enjoy teaching at Metro Community College. But everything is so different here. It is not at all like Our China. After two full months in the Harmony Corps, I still haven't gotten used to life in the United States of America.

There is too much space and not enough people. The other day, I went to a supermarket called "Hy-Vee" and there was nobody there. It was just me and my shopping cart. I could hear the fluorescent lights humming. There was this scary music playing softly in the background. Everything was bright and clean. The fish was all prepackaged. The vegetables looked seriously ill. I couldn't find the ku-gua or the hua-jiao or the jiang. I found an employee and tried to describe what I wanted with my hands. She gave me a bushel of black bananas and something called a diaphragm. My Chinese-English dictionary tells me it is the muscle underneath your ribcage, but that is not what it looks like to me.

It's too quiet here. I can never wake up on time because the construction doesn't start until 10 AM. I can't sleep at night because there are these strange American bugs making noises outside. I asked Mr. Gustafson what the bugs were but he couldn't hear what I was talking about.

Americans are friendly. They don't stare at me or shout at me the way that people used to stare and shout at Mr. Panda. (I will have to ask him about that when I return.) But they don't really notice me, either. I am invisible here. Everyone smiles at me when I talk to them. And they like to talk a lot, mostly about the weather. But they all seem to be trying their best to hide some sort of mental illness. And some of them don't really hide it all that well.

Let me introduce my host family. Mr. Gustafson is very fat, even fatter than Second Uncle Liu. He is the size of two Second Uncle Lius. I asked Mr. Gustafson what kind of work he did and he tried to explain it to me, but I didn't understand. So we looked up the words in the dictionary together. There were six or seven words in his job title, and I knew them, but when we put them all together I still had no idea what he did.

"To be honest," I said, "I still have no idea what you do."
"None of us do, darling," he said. "None of us do."

Unlike Mr. Gustafson, Mrs. Gustafson is very thin. And unlike most American women, I don't think she has a job. When Mr. Gustafson is home, she follows him around with a broom and dustpan, sweeping up his crumbs. She does not like doing this. She never talks to Mr. Gustafson and he never talks to her, except to argue. One time I asked Mrs. Gustafson if she loved Mr. Gustafson and she laughed for a long time. Then she looked sad for a moment. Then she patted me on the head like a child. In the afternoon, when Mr. Gustafson is at work, doing whatever it is that he does, Mrs. Gustafson sits in the living room watching television. She watches soap operas, but she calls them her "stories." She drinks wine, but she calls it her "medicine." She also likes to smoke cigarettes. I sometimes fear that my own host mother is a woman of ill repute.

The Gustafsons have a son. His name is Kyle. I cannot tell how old he is. My host dad tells me that Kyle still wets the bed, which is strange to me, because Kyle has more facial hair than Grandpa Wang. He has more facial hair than two Grandpa Wangs. Kyle likes to wear silk shirts with dragons on them. Or maybe it is just one silk shirt with a dragon on it that he wears every day. He is very fat like his father. One time I asked Kyle why he wasn't married and he looked at me in a funny way. So I tried again and asked him why he didn't live in his own apartment like most American adults. He didn't want to talk about it. He got angry. He went to his room and slammed the door behind him. But he came back out a couple minutes later and sat down at the edge of my bed, and he watched me study English for a very long time.

The Gustafsons have a dog. Mr. Gustafson told me that it was a type of dog called a "rottweiler." The dog's name is Rascal. Rascal doesn't like me. He doesn't seem to like anybody, not even Mr. Gustafson. Rascal especially does not like Kyle Gustafson. I asked Mr. Gustafson why they owned such an unfriendly dog and Mr. Gustafson said, "protection."

"But what about all those guns you have?" I asked. "The ones in the attic."
"Protection," he said.
"Protection from whom?"
"From the bad guys," he said.
"But this neighborhood feels very safe," I said.
"Not anymore it ain't," he said. "Don't get me wrong. You're welcome here. The Chinese are welcome here. We're business partners." He brightened a bit, then darkened again. "But some people just ... ain't welcome."
Then he got quiet and drank from a very small glass and looked out the window for a long time.

I am very happy to know that I am welcome here in America.

I teach Mandarin Chinese at Metro Community College. My students are not like Chinese students at all. Many of them remind me of Kyle Gustafson: very fat, with dragon shirts. They never do their homework. They are almost always late. Some of them have never shown up for class at all. They are just names to me. A few of them don't seem to know where they are when they do show up to class. They keep looking around the room like, where am I? They ask me questions about Bruce Lee, and a lot of questions about Chinese politics that make me uncomfortable. None of them are very good at memorizing new vocabulary words.

But the girls in my class are friendly. They invite me to go out with them on the weekends. They call me "girlfriend" when we go out together. They like teaching me new words and they laugh whenever I say them. Last Friday, they took me to a city called Council Bluffs. Council Bluffs is located in the province next to Nebraska, a place they call Iowa. It was my first time in Iowa, and I never want to go there ever again.

The American word for KTV is "karaoke." But karaoke is not the same as KTV. As we all know, in Our China, we sing KTV with our very best friends, in a cozy little room, and we can stay there in that room singing as many songs as we want to sing. But in America, there are "karaoke bars," where you have to sing for people you don't even know, and you only get to sing one song.

My girlfriends really wanted me to sing, so I did. I asked the DJ if he had Di Yi Ge Qing Chen and he looked at me funny. So I asked if he had Jie Bu Dao. He shook his head. So I asked if he had Na Nu Hai Dui Wo Shuo and he said, "Sorry honey, but you're gonna have to speak American."

So I decided to sing "Take Me Home Country Road" by John Denver, the only English song I know. I did a good job, I thought, but everyone laughed at me. Probably because my English is so poor. My girlfriends were laughing, too, but they clapped for me when I sat down. Then they made me drink something they called "Jaeger." It tasted the way Mrs. Gustafson's medicine smells. Then my girlfriends asked me if I wanted to smoke.

"I don't smoke," I said.
"No," they said. "Smoke."

We went outside to the parking lot. It was very cold out there. It was snowing, in fact. Britney, one of the girls, lit a cigarette and passed it to the girl on her left hand side. Eventually, it came around to me. I didn't want to smoke it, but everyone told me that I had better smoke it. So I did. Everyone laughed when I smoked it. I don't know why. And I don't really remember what happened after that. I remember I started laughing at everything, even things that I didn't understand. I must have been very drunk. My girlfriends made me say dirty words and that made them laugh until they could no longer breathe. Then I got really hungry. My girlfriends took me to a local restaurant called "Taco Bell," and even though I don't really like Iowa Province, I have to say that Taco Bell is a really wonderful place. Sorry, mother, but it was probably the best meal I have ever had in my life.

Then we went to Britney's boyfriend's house. He lives there all by himself, with three dogs that are even meaner than Rascal. My girlfriends all smoked homemade cigarettes with him. They offered me one, but I said no thanks this time. Britney's boyfriend is named Dwayne. My girlfriends laughed at everything he said, and I think I understood him, but he didn't seem all that funny. In fact, he was kind of scary. His eyes were yellow. He was talking really fast and twitching all over the whole time. Then he would get quiet and look at Britney and they would go into the bathroom together. They would come back out a few minutes later and Britney would be twitching while Dwayne looked almost normal. But then he would start twitching again. So they would go back into the bathroom. This went on for a while, until finally Britney said something that got Dwayne so angry that he started calling Britney a lot of the words that she makes me say to make her laugh. He kicked one of his dogs in the ribs and went to his room. I told Britney that I had English class in the morning and I had to go. She wanted to stay. I needed to get home. The Gustafsons were worried about me, I said. I told her that I would get a taxi. She gave me a strange look. Something shattered in Dwayne's room and a dog came running out. There are no taxis in Council Bluffs, she said.

Yesterday I made some new friends. Or I tried to, anyway. They came right up to the Gustafsons' house and rang the doorbell. They were two nice looking young men dressed in suits, and they had a lot of books with them. They were students, I guess. They introduced themselves as Elder Micah and Elder Levi, though they didn't look all that old to me. They wanted to come in so I let them in. They sat down in the living room and I went to get them some tea, but they said they couldn't drink tea. So I sat down on the sofa across from them.

They asked me how I was doing and I said fine, thank you, and you? They said "good" in a way that really made me believe that they were doing pretty good. Then they asked me if I had been saved. I told them that yes, I felt pretty safe in the Gustafson household. I told them about the bad guys outside and I told them about Rascal, who even then I could hear trying to rip the basement door off its hinges. I told them about all the guns that Mr. Gustafson kept in the attic. They laughed a little and said, no, not safe. Saved. What's the difference, I asked.

They wanted to know where I was from and I told them "Nanchong" and asked them if they had heard of my hometown. They told me that no, they had never heard of it. They wanted to know what country I was from, and I told them "China." They were very interested in China.

"Do you have churches where you live?" they asked.
"Yes," I said. And I told them about the monastery on the West Mountain, and The People's Catholic Church down the street from our house.
"Do you go to church?"
"No, I have never been to the church," I said. "Do you go to church?"
They laughed a little and said that yes, of course they went to church. They asked me if I believed in God.
"I believe in science," I told them, "and I believe in the heroes of the People."
They nodded. This seemed to make sense to them.
"We like science, too. As a matter of fact, Elder Micah over here majored in physics at Bi-Wai-Yu." They laughed, so I laughed too. "Which heroes of the People do you believe in?"
"I believe in Chairman Mao," I said, "and Deng Xiao Ping, who grew up in Guang-an, which is only 45 minutes by bus from my hometown!"

They were unimpressed. They were still smiling, but they were nervous smiles that they wore. I must have said something wrong. They gave me a big black book and told me to read the first page. I tried my best. The writing was like Shakespeare, but not as pretty. I told them that my English was poor and that I couldn't really understand the words. So they started telling me a story about a nice man named Joe who lived in America long, long ago - back when there used to be Indians. They told me all about this Joe and how he did all these nice things for me before I was even born. It was a strange story, but an interesting one, and I was just beginning to make sense out of it when Mrs. Gustafson came into the room.

"Lily," she said to me, "who the fuck are these people and why are they in our living room?"

I could tell she'd had her medicine. The two young men seemed to recognize her. They got up off the couch and started towards the door. She grabbed Elder Levi by the collar of his blazer.

"What did I tell you? What did I tell you about coming to my house?"

The young men were apologizing and backing away. Mrs. Gustafson seemed to be looking around for a weapon, but the guns were upstairs in the attic. Rascal started barking up a storm. Then, something in Mrs. Gustafson's eyes seemed to click. She went over to the basement door and threw it open.

Elders Micah and Levi ran squealing out into the street. The screen door slammed shut behind them just in time. Rascal smashed his face against the window and barked so hard that he fogged up the glass. Then, after he'd worn himself out, Mrs. Gustafson kneeled down, hugged Rascal around the neck, and scratched him behind the ears.

"Good boy," she said. "Gooood boy."
Rascal growled.
"Mrs. Gustafson," I said, "who were those young men? Were they the bad guys?"
"No, Lily," she said. "They're just Morons."
Which I guess is a kind of American religion.

As if I'm not busy enough, I have to do something called a "secondary project." So I have been volunteering at the Omaha Zoo. It's a nice zoo. Very big, with lots of animals. But they don't have any pandas. What a pity. (There are some American pandas that live on our back porch. Mr. Gustafson calls them "fucking coons." Fucking Coons are like pandas, but much smaller, much dirtier, and not as friendly. Fucking Coons eat garbage instead of bamboo. Mr. Gustafson catches them in traps he builds himself and I'm not sure what he does with the Fucking Coons after that.)

Anyway, volunteering at the zoo isn't as fun as it sounds. I told the people in the employment office that I wanted to volunteer and they said okay. I told them I wanted to work with animals. And in a way, I guess I do. I work at a concession stand.

Earlier I said that Americans are friendly. But really, they are only friendly when they are well-fed. The Americans I serve at the Sea Lion Concession Stand are even meaner than Third Uncle Zhang when he drinks. I never seem to do anything right. I can't seem to put enough cheese on anything. Everything is too hot, or too cold. Or it's too spicy. My English is so poor that nobody understands me and I don't understand them. One fat old man got so angry with me when I gave him a Mr. Pibb instead of a Dr. Pepper that I thought he would have a heart attack. Then he did have a heart attack. Now there is something called a "lawsuit" pending in court, but Mr. Gustafson's lawyer tells me I can plead "diplomatic immunity." Mr. Gustafson and I looked up the words in the dictionary together and I understood them both, but I still don't know what they mean put together.

Today, Kyle lifted up his shirt to show me his tattoo, which he called a "tatt." (Maybe this is local Nebraskan dialect. I will ask my students tomorrow.) Oddly enough, it was a Chinese tattoo. He asked if I knew what it meant and I said no. He told me that it meant "virility." I didn't tell him it meant "duck penis." Then he told me that he had some bad news. He started looking like he was about to cry. I asked him if he was okay and he said no. He told me that he was very sick.

"Do your mom and dad know?" I asked.
"Nobody knows," he said. "Except me. And now you, I guess."
"What's wrong?"
"I'm afraid it's – " He sniffled. "It's – yellow fever."
"Oh my God. Is it serious?" I asked.
He nodded.
"Oh, yes. Very serious."
"Are you dying?"
"Every day I die a little more," he said, and put his hand on his heart. And I noticed for the first time that his silk dragon shirt was unbuttoned halfway, and that unlike most American men (and some American women), Kyle had no chest hair.
"It is winter," I said. "You should wear more clothes."
He seemed embarrassed.
"Yeah, I guess I should."

He went back to his room and shut the door. I stayed up studying English, and the light under his door was on all night. I have no idea what he does in there all by himself. He is always in his room by himself, making little noises. Anyway, I'm worried about Kyle. I looked up yellow fever on Baidu, and it says that if he doesn't get medical help, he could die in as soon as three hours.

I should go. Mrs. Gustafson wants to have "Girl Talk" again, which is something we do every Tuesday afternoon. Girl Talk is usually just her talking and smoking a lot of cigarettes and taking a lot of medicine and crying a little at her stories and then crying a lot in my lap about things I don't understand. She is not a girl and I don't really get to talk. So why do we call it Girl Talk? I don't understand that, either. I guess it is just another part of American Culture. I have so much left to learn.

Happy Every Day,
- Li Li

Chevy Chaise Lounge

If you were to ask me how it is that I got to where I am today, I suppose I would have to blame copywriting.

Rewind to four years ago. I was living with my parents in Bellevue, Nebraska. A college graduate. A Bachelor in Fine Arts. A Creative Writing major. And I was writing for a living. Writing copy for online furniture catalogs. The upside was that I worked from home. The downside was that I worked from home.

I started out "gangbusters," as Murray, my temp agent, would tell me the day he let me go. That first week, Murray assigned me 90 wicker furniture copyblocks, 50 words per block, two bucks apiece. And at the end of two 24-hour days, after a truly disgusting number of Monster Energy Drinks, I had written all 90 of them. Some kind of wicker furniture catalog copywriting record, apparently. Murray clapped me on the back and spoke floridly of pay raises, full-time employment, health insurance, etc., etc., etc.

The following week, he entrusted me with lawnchairs. It took me twice as long to write half as much, but I managed to beat deadline. So Murray bumped me up to the big time: chaiselounges.com. Furniture for people I will never ever rub elbows with. Furniture that costs more than cars, but won't get you anywhere. And I, of all people, had to write the copy. Having never once lounged upon a chaise lounge in my entire life, I had to write as though I had not only chaise lounged, but regularly experienced multiple chaise lounging orgasms. I had to sell Made in Cambodia avant garde chaise lounges to the chaise lounging American masses. One-hundred words, two bucks per copyblock, a couple mil worth of merchandise up for grabs.

You can find my writing everywhere on the internet, only it's not credited to me or anyone else. The author is this anonymous, ghostly voice with a kind of disembodied wit. That's me. The Chevy Chaise Lounge is "perfect for a nap after a long day of caddying." I wrote that. That was me. Google "Chevy Chaise Lounge" and there I am. In the original draft, I included a number of Fletch references that didn't make the cut. "Our Chevy Chaise Lounge will make you feel like a hundred bucks." I wrote that, too. But it's not exactly the sort of quip you want to make when promoting an item that is supposed to make you feel like $2,999 US, no more no less.

Then there was the Aja Chaise Lounge, named after the Steely Dan album, or so I assumed. You can find the Aja Chaise online, though it is a bit harder to track down because nobody bought it. Steely Dan fans don't buy chaise lounges. They buy heroin. That and the damned thing is the color of expired poultry.

"Kick those 'Deacon Blues' with a soothing afternoon nap upon our Aja Chaise Lounge," I wrote. "Now you're 'Home At Last.'" I wrote that. "The Aja Chaise Lounge has you 'pegged.'" I wrote that, too. And they paid me money to write it. None of my bosses caught the Steely Dan references, nor did they complain that the copy was total nonsense. You'd think one thing or the other would've come to somebody's attention. But they published it anyway and my half-ass copy has since spread across the internet like some kind of transspermatozoon STD. Two dollars worth of hypercaffeinated copywriting from a disillusioned 24 year-old, and now Italian duchesses are running my copy through Google Translate, trying to decide whether the Chevy Chaise Lounge will get along with the Rodney Dangerfield Ottoman.

The more I wrote, the more my face sagged, the more I needed caffeine. I established a rapport with the Starbucks drive-thru baristas. They told me I looked like Chris Martin. You know, from Coldplay. They asked what I did for a living and I told them that I was a writer. They fluttered their eyelashes and asked what I wrote about and I told them chaise lounges, mostly. Must be exhausting, they said, twirling their hair extensions, caffeinated off their asses. You have no idea, I told them.

Good news. I just found the Infanta Chaise Lounge. So I can pinpoint the exact moment when I snapped.

Fit for a king or queen, our Infanta Chaise lends regal fashion to any room. Styled in modern swirls, curves, and embellishments, this lovely lounge just goes to show that you don't have to be traditional to be comfortable. The Infanta is structured around a strong metal frame and a cozy red velvet fabric surface that you'll have to feel to believe. Resting on three sturdy bun feet and trimmed with stylish buttons, this lively lounge is sure to be the subject of conversation at your next wine tasting. Available as shown.

Bun feet? Stylish buttons? I could be writing about a Japanese empress. You don't have to be traditional to be comfortable. Well said, Petit. At your next wine tasting? I have never been to a wine tasting. The only tastings I'm familiar with involve someone's girlfriend puking in the bathroom for three hours and at least two complete strangers doing the wild thang on your bed. Where did the words come from? Nowhere. Where did they go? Everywhere, it seems. I can write as much as I want on this blog. Only my copy will survive me. It will outlast me and anything of substance that I write. My senile traveling anecdotes will be ignored by my grandchildren, but my chaise lounge descriptions will live on. Long after Steely Dan's vinyl LPs have melted to the sea. Long after Chevy Chase has balded to death. Music, films, writing - these are fads, but chaise lounges are forever. Chaise lounges are a basic human right. The pursuit of happiness. The pursuit of lounge.

The chaise lounge copy was the turning point for me. The next week, Murray demoted me to inflatable beach furniture. I'd like to say I abandoned copywriting for artistic reasons, but it wasn't that at all. I just couldn't write anymore. Every copyblock turned into a Rorschach test. Item RK-56925B - what do you see? I see a chair. Item LP-24491X - what do you see? I see a bed. Item XB-014554L - what do you see? I don't even know what that is anymore. I went catatonic. I had nothing to say. Everything was the same to me. A chair is a chair is a chair, a bed is a bed is a bed, an ottoman is an ottoman is an ... My brain had turned to wicker. Murray would give me 90 copyblocks and I'd finish 45. He'd give me 40 and I'd finish ten. He'd give me ten and I'd finish one.

And that's how it ended. I showed up a week after deadline with one copyblock hot off the laser printer. I handed it to Murray and apologized. This was all I could do, I said. One copyblock? he asked. One fucking copyblock? One fucking copyblock, I said. Why? he asked. I don't know why, I said.

Murray invited me outside for a cigarette, but I didn't smoke at the time, so he smoked and I watched him smoke and I listened.

"I'm going to be really nice and let you go. I'm not going to fire you," he said. Then he shook his head and laughed. "But I don't understand it! You started out gangbusters! What happened back there, man?"

"I don't know," I said. "I'm beginning to think I'm a writer and not a copywriter."

Murray laughed.

"Yeah, I get that a lot. Look," he said, "just don't let me find you working the Starbucks drive-thru, alright?"

Murray gave me a fistpound, then he stamped out his cigarette and went back upstairs. It was February in Omaha and it was cold and I was without a coat, so I sprinted across Harney Street. It took me a long time to find my car. A month later, I was in Poland.

Homesick Homes

The name of the place was "Nuts." My taxi driver, a real down-home salt-of-the-earth type, swerved the cab up onto the sidewalk and announced in his swampy river city drawl that we had arrived. We were parked in front of a joint called The Hurricane, the kind of glitzy dive where salarymen go to projectile vomit all over each other. The door swung open and a middle-aged man in a shiny suitcoat came tumbling out onto the street. He vomited emphatically. Then he brushed himself off and tumbled back into The Hurricane. Briefly, as the door swung shut behind him, I could hear someone murdering Celine Dion.

"I don't think this is the place," I said.

I searched my crummy cellphone dictionary for the word "nut" and showed the cabby a string of symbols that probably amounted to "testicle." He hawked a loogey and shook his head disgustedly. Then he rolled down the window to consult the roadside riffraff. They hobbled over to stare at me. And the riffraff, too, insisted that I had arrived at Nuts. I shrugged and paid the cabby, who charged me an additional riffraff consultation fee. Then he backhandedly complimented my Chinese while the roadside riffraff smacked their bamboo sticks against the pavement laughing at me. Welcome to China! the cabbby called out the window as he sped off into oncoming traffic.

I have learned over the years to do the exact opposite of what my sense of direction tells me to do, so the moment my sneakers hit the loogey-slick pavement, I turned away from the light and walked toward the darkness. I passed a China Construction Bank, an octopus tentacle vendor, a boarded-up porn shop, and then I came upon an oasis of black-shirted Chinese hipsters, smoking and drinking in the lamplight of an unmarked door. The door flew open and a James Brown B-side came bubbling out. This was no longer China. This, at last, was Nuts.

After I'd passed through customs and checked my backpack at the bar, I wandered right into the midst of a middle school sockhop: boys lined up along one wall, girls along the other. Straightening my collar, I coughed and looked around. Then I situated myself next to the foosball table and shuffled around until a pack of Chinese hipsters relegated me to the narrow slot between an overfull trashcan and a Samsung AC Unit.

Okay, I told myself, be cool. You are American. You are from Omaha. But a year had passed since my last indie rock show - St. Vincent at The Slowdown - and my pre-show shuffle was all out of whack. I found myself at a total loss for what to do during those tense moments before the stage lights came up. I gazed down at my Pumas and shuffled. I gazed up at the vacant stage and shuffled. I made eye contact with a spooky-looking foreigner. I gazed back down at my Pumas. Then I shuffled off to grab a beer.

"Shenme pijiu? Heineken, Hoegaarden, Duwel, Guinness - "
The bartendress made no mention of Tsingtao, or its more lethal counterpart, Snow. Clearly, I was not in Nanchong anymore. I ordered a Carlsberg.
"Oh, and do you sell cigarettes?"
"Zhong Nan Hai," she shrugged.
"What?"
"Zhong Nan Hai."
"Eh?"
She took a carton down from the shelf and held it up to my face.
"Zhooooong. Naaaaan," she said, underlining the characters as she read them. "Hai."

Aha! It clicked. Zhong Nan Hai: a brand of Chinese cigarettes, and incidentally, the name of the first track on the Carsick Cars' self-titled album. Of course! Why hadn't I noticed that before? I'd listened to Zhong Nan Hai hundreds of times and I'd smoked my share of Zhong Nan Hais in the meanwhile. Perhaps I'd even smoked a Zhong Nan Hai whilst listening to Zhong Nan Hai. And yet I'd never made the connection: Carsick Cars, the smartest rock band China has to offer, had written an ode to Zhong Nan Hais, the cheapest, most carcinogenic cigarette China has to offer.

I drifted back to my putrescent shuffling spot. I chatted with a Frenchman until his friends showed up. He bid me au revoir. Then a Dutchman chatted with me until my friends showed up. I bid him vaarwel. A heartwarming Peace Corps reunion ensued. Hugs all around.

"Nice haircut."
"Nice beard. How long you been here?"
"Not long," I shrugged. "Five minutes."

Vijay and I got ourselves mutually drunk on cheap tequila. The opening act - a riotgrrly punk trio named 24 Hours - took the stage. They launched into a jam called "Walrus" and the Chinese hipsters trickled down to the floor. The set did not last 24 hours, though it did include a twelve-minute rendition of Nancy Sinatra's "Bang Bang." Then the lights came up. The Chinese hipsters reassumed their positions - boys on one side, girls on the other - while the motley foreigners pooled in the middle.

Another James Brown B-side. I shuffled and looked around. Where was everybody? In China, you'll be hard-pressed to find a square foot of space that isn't occupied by another human being, and yet here it was: Friday night, a rock show, and Nuts was more half-empty than half-full. Meanwhile, waiting in the wings: Carsick Cars, a band that has toured with Sonic Youth, has appeared in NME, has rubbed elbows with David Byrne - arguably the only Chinese rock band in China, performing for the first time in Chongqing, arguably the largest city in the world. And yet a mere 75 people had turned out for the show, many of them the sort of foreigners you wouldn't want to bump into in a dark alley. Or a well-lit one, for that matter.

So much the better, I figured. All the more permanent ear damage for me. I shuffled around, Carlsberg in hand, almost childishly stoked. In a sense, I'd been looking forward to the Carsick Cars show since the very moment I arrived in China. Not long after I'd adjusted to life in a country whose thesis is harmony through uniformity, I began to long for its antithesis. Diversity. Dissonance. Dissent. And though for eight months I went without knowing the name "Carsick Cars," I knew all along that something like Carsick Cars just had to exist in China, just as I knew that Chengdu, a city of twelve million, simply had to have a Mexican restaurant (if only one of them) ((and not a very good one, at that)).

Carsick Cars were something of an epiphany for me. I became an instant admirer. I listened to their eponymous album for months on end. Naturally, the next step was to see them live and in concert. But Carsick Cars had just embarked on a world tour and, last I'd checked, were playing a house party with David Byrne in Marfa, Texas - so I figured lowly Chongqing with its legions of loogey-hawking cab drivers couldn't be very high on their list. Until sometime last week, when a friend of mine handed me a crumpled-up flier and mumbled, "You heard of these guys?"



"Carsick Cars," I read. "24 Hours. Nuts."

I was going. That's all there was to it. I went to work. I smoked pack after pack of Zhong Nan Hais. Meanwhile, my expectations ballooned beyond all reasonable proportion. This was huge. Hendrix at Woodstock. Elvis Costello on Saturday Night Live. Dylan at the Royal Albert Hall. Carsick Cars at Nuts. I Febreezed my beard and hung my Radiohead t-shirt up to dry. I practiced my pre-show shuffle alone in my room. The week Febreezed by and at no point did it enter my mind that the long-awaited Carsick Cars show might not prove to be one of those epic rock 'n roll fuck-you gestures of lore. At no point did I consider that it might just turn out to be a pretty good indie rock show.

When Carsick Cars took the stage, nobody seemed to know who they were. While the band tuned up, the pit remained empty. Boys on one side, girls on the other. A line at the bar.

"Is that them?" I asked Vijay.
"Naw, I think there's a chick in the band," he said, "or at least a dude who looks like a chick."
"These dudes all look like dudes," I said, and checked the flier. "Maybe there's another opener. Maybe they're up nex - "

The lead singer leaned into the microphone: Women shi Carsick Cars. I shrugged. Vijay shrugged. And together we waltzed across the pit until we were right up against the stage.

In China, there is a code of rock 'n roll etiquette which dictates that rock stars must first politely greet their audience, then thank a litany of sponsors and salarymen, then chit-chat with the audience before introducing each and every song by name. In that respect, Carsick Cars were not very Chinese. They opened with feedback. They closed with feedback. One song screeched into the next. There was no stage banter, no smiles. Carsick Cars were at work. In a country that appreciates rock-as-novelty, makeup and leather jackets, girlish dudes with funky hair riffing on Pachelbel's Canon - here was a band of unattractive nerds whose palette was precisely sculpted noise. All and all, it was pretty good.

I am not a hit monger. I didn't clamor for "Creep" when I saw Radiohead at Wuhlheide, nor did I wet myself when Beck unexpectedly played "Loser" at the Columbiahalle in Berlin. I once saw a guy named Dan Wilson play at The Waiting Room in Omaha, and though his voice sounded awfully familiar, it wasn't until some buffoon shouted "Closing Time!" that I recognized him as the lead singer of Semisonic. And to his credit, Dan Wilson played fifteen songs nobody knew or cared about, then slipped quietly out the back door when no one was looking. So I respect musicians who do their own thing, and at shows, I try to stifle the Free Bird impulse. Nevertheless, I grew increasingly anxious as Carsick Cars plowed through one song after another - were they going to play it? You know, the song about ... the thing? With each opening riff, Erin and I glanced at each other and perked our ears. This is it! The song about ... the thing! But it turned out to be another song about some other thing. When Carsick Cars left the stage and waited in the wings for the encore fervor to mount, I found myself within earshot of the lead singer, and I had to fight the urge to put in a humble request: excuse me, sir, but would you please play the song about, you know ... the thing?

After much whistling and hooting, Carsick Cars returned to the stage. They dove into Zhong Nan Hai and I held my pack of cigs in the air and waved it around until one of Chongqing's many creepy-ass foreigners swiped it from me. I had to rassle him to get my cigs back. Then there was a familiar burst of feedback, a cymbal crash, a forlorn bass riff. Erin elbowed me in the gut. This was it - the song about, you know ... the thing. The Chinese hipster kids started jumping around, colliding with each other like so many atoms. I wondered whether they knew the song was about ... the thing, or if it was just music to them. The crowd jostled me around but I stood in one place, watching and listening. And I grew a bit misty-eyed. I thought about all the heavy books I'd read about China. I thought about China's thousands of years of circuitous history and the horrific struggle that had led however improbably to this moment in time. And though Carsick Cars were one band playing one song that was so lyrically ambiguous as to make you wonder whether it was really about ... the thing in the first place, still: this country has come a long way in a very short time. Zhe shi yi ge meiyou xiwang de guang chang they sang: this is a hopeless square. But they were not arrested for saying so. At least fifty Chinese hipster kids moshed to those words. So perhaps this may not be such a hopeless square after all.

But hopeless or not, I grew a bit homesick. Homesick for Omaha, where such balls, such nuts do not go unnoticed. Where dissent is as inescapable as Taco Bell. Carsick Cars, homesick homes. Almost a year into my Chinese adventure, dissent is what I miss most about America. Dissent, dissonance, diversity. Dissent, I suppose, is what makes America the ugliest, most beautiful nation on earth.

The lights came up. Another James Brown B-side. It was a short set - just under 45 minutes - and Carsick Cars didn't linger. They dissolved. Perhaps they hid out at the bar, or maybe they slipped quietly out the back door. A couple more Peace Corps kids came swaggering in. Hugs all around.

"Aw, shit - we missed it! How was the show?"
"Good," I said. "It was pretty good."

And it was. Yes, Carsick Cars were pretty good. No more, no less. They weren't Hendrix at Woodstock, or Costello on SNL, or Dylan at the Royal Albert Hall. China, perhaps, is not ready for that kind of dissent - and maybe it never will be. In the long run, the Chinese may not want anything to do with our Western modes of expression, our beautiful ugliness. It may be the case that China will never spawn a thriving indie rock scene any more than it will adopt English as its official language. Good for China, I suppose. Why should China do anything the Western way? We have our narrative and the Chinese have theirs. The Eastern and Western worlds may grow intertwined over time, or they may veer off in different directions completely. I have no say in the matter. Why should China westernize? Why should Radiohead play Creep? Why should Beck play Loser? I have learned over time not to pin China down to my expectations. I try to stifle the Free Bird impulse.

Request

If anyone happens to find themselves in The Brothers Lounge on 38th and Farnam in Omaha, Nebraska, USA, North America, Earth, Solar System, Milky Way, Universe: please let me know whether they still have The Best of Roxy Music and Exile on Main St. in the jukebox. So I can sleep at night.

Global Hobos: A Cross-Cultural Examination of Effective Salesman(or woman)ship.

Krakow, Poland:
The Krakowian hobo scene thrives on the predominantly Catholic population's sympathy for the meek, ragged, leprous, etc. In Stare Miasto during peak hobo hours, you will find no fewer than eleven middle-aged hoboes spasming behind their aluminum walkers. Taped on the front of each of their walkers is the same laminated bilingual sign that reads (in 72-point Times New Roman font), "Please give me to the money" and "Szrzczrzczsz rzcz rzczrzczłić." These Polish hoboes are afflicted by a rare form of Parkinson's Disease, whose body-convulsing symptoms vanish the instant the hobo's palm nerves make contact with a fistful of loose złoty.

Chicago, Illinois:
Is it any wonder that this festering bastion of diversity is home to the most paradoxical hoboes in the world? Chicago plays host to the sort of hobo who makes you shine his shoes, who is a Boeing executive making 2.3 million a year, who will toss you a quarter for doing nothing.

Daegu, South Korea:
Like much of the local non-hobo population, the Daeguian hobo is an entrepreneur first, an alcoholic second, and a Level 32 Dwarf Priest in World of Warcraft. He coasts about downtown, lying chest-down on a four-wheeled wooden scooter, the kind you used for roller dodgeball in 3rd grade P.E. class. His lower half is swathed in a tarp of black rubber, mermaid-style. Whether or not there are legs underneath the tarp is a topic of some interest to Korean young adults aged 13 to 16 who are on their first dates. On his cart, each hobo carries a small boombox capable of blasting, at 120 decibels, the most sorrowful Korean waltzes you ever did hear. There are eight of these men downtown at any given time and one imagines they are equipped with GPS equipment so as to not infringe on another hobo's rolling grounds.

Minneapolis, Minnesota:
Notoriously picky hoboes. Whimsical. Eccentric. Capricious. They ask you for 37 cents and if you don't have exact change, they walk away.

Berlin, Germany:
The Berlin Hobo (German: der Berlinerhobo) is among the most enterprising and talented in the former Holy Russian Empire. An accordion virtuoso, a prolific caricaturist, a juggler of flaming crucifixes, and a public urinator extraordinaire, der Berlinerhobo often gets so wrapped up in his performance that he forgets to ask you for change. But he will find you some days later, even if you have since left the country or continent.

Omaha, Nebraska:
The Omahobo is Walt Whitman, Kofi Annan, and a wet paper bag full of cigarette butts and bottlecaps all rolled into one. He will tell you a woeful tale of marital estrangement and high seas hijinks on the River Mississippi; he will talk politics, at once impressing you as right-wing and left-wing without touching anywhere in between; he will perform a magic trick in which he spontaneously materializes some treasured artifact from your early childhood. And then, he will ask you if you've got a buck, "cause [he] wanna get laid out tonight and it already [nine] o'clock." As you walk away, the thing that impresses you most is his honesty, and his smell.

Super Mossimo Brothers

Yesterday evening, in a sudden flourish of nostalgia for the suburban squalor I'm about to leave behind, I set off on a photography run. My first stop was the King Kong Burger on 13th Street. I had gotten about ten steps from the car with my camera when a passing SUV slowed to a halt and a guy in a backwards hat - sensing an impending moment of emotional vulnerability - craned out from the passenger's side window and screamed, "FAG!"

In times like these, you wish you could push some sort of instant vengeance button, a biblical plague button, a button that would unleash the locusts, the frogs, the backwoods sodomites, a button that would wreak instantaneous karmic suffering upon the backwards-hat jackass who has just drive-by-fagged you. I reached for that button, but all I found was my middle finger.

When I was seven, my friend's creepy evangelical dad told me, "Never seek vengeance. Silence is like feeding your enemies burning hot coals."

There's an idea. I should just feed my enemies burning hot coals. Maybe this Christianity thing isn't so bad after all. That is probably the reason why religion exists in the first place: the promise that the drive-by-fag artist will get his come-up-ins.

Anyway, I flipped the guy off and took my faggy monkey pictures.


My wardrobe these days is all Mossimo all the time. I would be considered unhip if people didn't already infer that at first glance.

Maybe I'm just blind from reading so many of those blurry Mossimo t-shirts in the mid-90s, but what's there not to love about Mossimo? From the arbitrarily preppy lion insignia to the athletic fit that lets everyone know that yes, I do fifteen push-ups every morning - as a world-weary, formerly bearded man who is simply unwilling to buy decent clothes, a six-dollar pair of cicada-damaged Mossimo jeans is like a breath of fresh, Laotian sweatshop air. Somewhere, Giovanni Mossimo himself is sitting in a California caviar bar, chortling a mighty Italian chortle at the thought that his little fledgling fashion line - the one Versace said was too brash, too wild, too sexy to succeed - is now the envy of the clearance aisle at Target.

Auf wiederscheissen!

The Flaming Lips are playing at the Harrah's Casino Concert Cove in Council Bluffs on August 25th. In terms of absurdity, this by far surpasses Ghostface Killah's merely riot-catalyzing performance at the Sokol Underground. The last band Harrah's hosted was Sister Hazel. The last show The Flaming Lips played was probably somewhere in space. This is existentially shattering. This is Kafkaesque. No, this is downright Latkaesque. If I woke up tomorrow morning having metamorphosized into a giant insect, I would put on some pants, scurry downtown to the Old Market, pick up a copy of the Omaha World-Herald, use my two frothing mandibles to flip the paper open to the Living section, and standing on my hind legs, hissing and screeching in the middle of the 11th and Jackson intersection, I would chomp incredulously on the "FLAMING LIPS TO PERFORM IN SKOAL-ENCRUSTED IOWAN SHITHOLE" feature until I had motivated at least seven hipster short-order cooks to quit their jobs out of sheer disillusionment.

Speaking of Council Bluffs, I saw Superman last night at the esteemed Star Cinema: Where Internet Pedophiles Take Undercover Police Officers Posing As 12 Year-Old Girls On Their First Dates. Some super-troglodyte in a unitard and cape started hooting during the opening credits and an upstanding Council Bluffalo kept the peace by yelling out, "Shut yer goddamn mouth!" As a haughty Niles Crane aside muttered mostly to myself, I said, "Oh, right. I forgot. We're in Council Bluffs." This remark penetrated much more audibly than I had intended, and lest we forget: well-timed quips directed at the status quo are redneck kryptonite. The seething, incestuous rage was palpable. Luckily, there were some minorities in the audience. Otherwise, it could have been me getting lynched in the parking lot.

Tomorrow marks the Bi-Millennial Petit Family Yard Sale. This means that a lot of expensive electronics equipment will sit outside in the rain while an obese woman in an Atlanta Falcons jersey and a shower cap price haggles with my mom about the Danielle Steel novels in the 10 cent bin. I, meanwhile, will be lurking in the background, slipping He-Man figurines into my pockets when nobody is looking. It seems like I have to do this every time we have a yard sale. They're collectibles, mom.

Petit ion

I worked for six hours as a petitioner, but then the company I was doing the petitioning for started petitioning against their first petition. I've retired from politics.

I think I know where I'm going next. Melodramatic updates will follow.

Biker rash

Oh, what an emolicious treat! I've arrived just in time for tomorrow night's free Bright Eyes show at Memorial Park. Maybe I should bike down there right now and camp out in front of the stage, so I can personally shake Conor Oberst's amphetamine-palsied hand for recording the most sublimely political (and not at all whiny) country poseur album of 2005. Or maybe I will tell him he's Dylanesque. Please, somebody tell Conor he's Dylanesque! Or perhaps I will ask him to spot me ten bucks for the show I saw four years ago, where he was so utterly mindfucked on coke and Quaaludes that he babbled into the microphone for five minutes before smashing his guitar and tramping off stage.

I haven't been this excited since The Pointer Sisters were in town.

Also:

To the Curbsmiths of the City of Omaha,

Thank you for rendering intracity travel nigh impossible for anyone who isn't driving a car, hovering on a hoverboard, or riding a bicycle furnished with an Ikea chaise lounge for a seat. The next time my back tire hits the pavement and my prostate gland drops out the bottom of my pantleg, rather than caterwauling miserably and screaming several nonsensical profanities at the thirty-foot plateau at the end of the last sidewalk, I will instead quietly pay homage to the cement-laying drone who put down an additional strip of rock to ensure that no bicyclist will cross Saddle Creek without compromising his or her ability to have children, and that the handicapped will traverse Dodge Street in a hot air balloon or not at all.